THE ELECTRIC SOFT PARADE Holes in the Wall (db Records) www.dbrecords.co.uk |
It has almost been ten years since a swaggering bunch of
Mancunians led by two fairly opinionated brothers took the British pop scene by
the scruff of its neck and ushered a golden era in nineties rock music
affectionately known as “Britpop.”
Like Oasis, The Electric Soft Parade are fronted by two
brothers – Tom & Alex White – both still in their teens, and their debut
album, Holes in the Wall, bears all the distinctive hallmarks of the
seminal recordings of the Britpop epoch. A melding of sixties British Invasion
cool and seventies English punk crunch.
Thus, it is no surprise that any discerning pop student will
be able to easily pick up the influences of the Brothers White. Considering that
the boys first real taste of modern rock music probably arrived at the peak of
Britpop, there is a strong sense and weight of the likes of Supergrass ("Empty
at the End"), Blur ("There’s A Silence"), Oasis ("Something’s
Got to Give"), Ash ("Biting the Soles of my Feet") & Manic
Street Preachers ("The Given Line"), for instance.
However, ESP reach back further than the nineties and
certainly you cannot ignore the evident impression of Nick Drake on "It’s
Wasting Me Away," ELO on "Sleep Alone" or the Zombies on the
title track. The jewel in the crown comes in the form of the band’s debut
single – "Silent to the Dark," which stirs with its West Coast
inflections, breezy folksy approach and an infectious chorus that takes no
prisoners.
Suffice to say that Holes in the Wall is a refreshing
injection into the moribund British pop scene, the fact that the Whites are as
young as they are introduces an air of optimism about the future of British rock
– which has been crying out for a return to its rich melodic tradition. There
is enough here to suggest that the Electric Soft Parade can take its lovingly
rendered pop art to its logical conclusion. (A)